Finalist: Top 3 🎬Talking about delayed gratification is like telling a horror story—the suspense is unreal! Except this one has a happy ending. 😆😏 Act 1: Finishing the First Draft In Q4 2023, while reflecting on my year and setting goals for 2024, I gave myself one clear directive: finish writing a feature film script based on my doctoral dissertation and fieldwork. The deadline? 11:59:59 PM on December 31, 2023. Mission accomplished. So, what does that have to do with Fowl Play, Saddle Standouts, and Quieted? Act 2: The Rewrite Battle Begins By January 2024, with my completed draft in hand, I faced a new challenge: rewriting. The Problem? Two things: 1️⃣ My screenwriting education came exclusively from books, many of which contradicted each other. 2️⃣ I had no practical understanding of how a script actually translated to production. To tackle this, I wrote two short scripts:
Q4 2024? 🤷🏾♀️ Can’t say much about this yet. Check back in January 2025. What I can say? I’Z TIRED, BOSS. 😮💨 But also? I’M WINNING. 🏆 So, there’s that. Act 3: Festival Wins & Industry Recognition
I never expected a script I wrote in 3-4 hours to place top two in a long-running competition or to gain momentum at multiple festivals. But that’s what storytelling does—it finds its audience, even when we least expect it. Writer’s Statement: The Story Behind QuietedMy films explore the intricate relationship between history, education, and cultural identity through both documentary and narrative storytelling. With Quieted, I wanted to make the invisible visible—to show, rather than just tell, how bias and exclusion operate in academic spaces. The script takes a surrealist approach, using non-linear storytelling and magical realism to externalize Dr. Zora Johnson’s experiences of silencing, marginalization, and imposter syndrome. This script isn’t just a concept—it’s a reflection of real, lived experiences. It’s about the weight of being in spaces not designed for your success, the exhaustion of proving yourself over and over again, and the resilience required to break those cycles. This is why I write. Not just to preserve cultural memory but to spark meaningful conversations and demand systemic change. What’s Next? 🎞 Revisions & Future Development As Quieted continues to receive festival recognition, I’m revising the script with new insights. The version that won 2nd place isn’t even the final version anymore—because that’s how art and storytelling grow. 📜 Expanding the Script I’m exploring whether Quieted remains a short film or if its themes demand a longer format. Could this be a feature-length film or even the foundation for a limited series? That’s the next creative challenge. 🏆 Additional Festival Submissions Quieted has more to say—and I want to give it the platform to do so. More festival applications are on the way, along with deeper conversations about how this script can move beyond the page.
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AuthorDr. Myeshia C. Babers is a cultural anthropologist, filmmaker, and heritage preservation advocate specializing in race, education, and cultural memory. As an Assistant Professor of Ethnic Studies, she bridges academic research, storytelling, and public scholarship to amplify underrepresented narratives. Her work includes leading the historical landmark designation for Calvert Colored High School and crafting award-winning films like Quieted and Fowl Play, which explore Black identity, resilience, and cultural tradition. Through research, filmmaking, and advocacy, Dr. Babers ensures that Black stories—past and present—are preserved, mobilized, and celebrated. 🔗 Follow her journey @drbabers. Categories
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